P. Grainger: Lincolnshire Posy / Simon Rattle · BRSO

Published 2024-07-08
Percy Aldridge Grainger: Lincolnshire Posy / Simon Rattle · Symphonieorchester des Bayerischen Rundfunks

1st mvmt: Lisbon (Sailor's song) 00:19
2nd mvmt: Horkstow Grange (The miser his man - a local tragedy) 01:56
3rd mvmt: Rufford Park Poachers (Poaching song) 04:36
4th mvmt: The Brisk Young Sailor (Who returned to wed his true love) 09:08
5th mvmt: Lord Melbourne (War song) 10:56
6th mvmt: The Lost Lady Found (Dance song) 14:44

----------------------------------------------------------------------------------------------------------------------------------------------------------------

Dear Youtube User

If you are the COPYRIGHT OWNER of this performance I kindly ask you to first contact me requesting to delete the video but avoiding to fill a complaint to YouTube administration and I WILL DELETE IT IMMEDIATELY.

I uploaded the video just to promote the music I love.
I don't want problems with anybody and I never intended to break the copyright law.

Thanks for your understanding

All Comments (21)
  • One of the great classics of band literature... I love this piece everytime I hear it.
  • @dlnnyc64
    Excellent woodwinds! Brisk Young Sailor is so fun with those runs
  • Very well played, and I have to confess that hearing LP without Grainger's beloved saxophones is strange. I'm still enjoying it though.
  • A lot of extremely negative comments in here, but this is all for fun. It's an experimental arrangement without saxophones. Just appreciate that Sir Simon Rattle is paying any respect at all to the wind band world
  • I've loved this ever since I first heard it in concert far to many years ago than I would like to admit.
  • @JJBRMusic
    Love seeing all the people who are all of a sudden world class musicians and conductors to comment on a performance that had minimal rehearsal time and was for an education broadcast for the wind ensemble idiom and to highlight the BRSO on their educational outreach. Anyway, despite no saxophones, this was a fun performance.
  • I get the feeling he wanted to take the last movement just a "shade* faster, but the sound is so lush it would be a shame if he did. Lord Melbourne was rich and full, and reminded me of listening to Fennell talk in workshop rehearsal many years ago about asking a man in a pub to sing "Lord Melbourne". The man in his sotted state got thru the first verse, and promptly passed out in his ale.
  • He has this enormous band sitting there. And seems to be using just the BRSO folks doing one on a part.
  • @Khargelius
    As a saxophonist, this reminds me of the hundreds of times I sat through an orchestra performance only to play a few notes. But never through a performance like this where there are saxophone parts but the conductor chose to do an arrangement different from the original.
  • @LyleFrancisDelp
    09:48 Right....During one of the most iconic baritone/euphonium solos in the wind literature, the videographer does a close up of just about everyone EXCEPT for the soloist. Tyipcal.
  • @bfjones1198
    This arrangement clearly has some wrong notes in it... Like how is 13:10 a minor chord
  • @natheniel
    i hoped the TV station showed the kids so obviously playing the mallet percussions too
  • @Baritocity
    The rhythms don't always have a great feel, but mvts. 4 & 6 certainly come off the best. I don't know how much Rattle or German bands have Grainger in their repertoire, but it's nice to hear them do it. I think having all of the basses playing is a mistake. FYI I see clips in the recommendations where all of the groups are playing marches together, so I think Rattle is just highlighting the Bavarian Radio winds for this.
  • @LyleFrancisDelp
    What of the entire wind section sitting there in Bavarian garb?....Dirndls and such? Why are they even there?
  • @lowe7471
    This was great. Thank you for sharing this.
  • @mellcsicsila
    This is an amazing interpretation. It connects the piece to the trends of its time. I hear elements of Bartok, Kodaly, Hindemith, especially. Such focus on line and space. It’s amazing what can happen when you have a brilliant musician on the podium instead of some college band director trying to show off how fast his band can play.
  • @bobareebop
    I have never before seen a side-valve flugelhorn.