Everything 'Touch of Evil' Tells You in Its Opening 4 Minutes | Film 101

Publicado 2022-10-31
Orson Welles' 1958 spellbinding noir 'Touch of Evil' has one of the most famous opening shots in cinema history. In this episode of Film 101, we breakdown the intricate continuous shot to point out how Welles lays the foundation for the rest of the movie in less than four minutes.

Written and Narrated by Tom Reimann

'Touch of Evil' plays on TCM on November 14th at 8pm.

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Todos los comentarios (21)
  • @JoshuaSutlive
    Seeing Touch of Evil on TCM back in the day is what really got me into classic movies so it is cool to see some more analysis and appreciation for it! Sure, it’s geared a little more towards younger viewers with the Marvel and transformers references but there was some good analysis and will hopefully attract a new audience to the film!
  • @peterrist2069
    The exact connection between the timer and the length of the shot (3 1/2 minutes) was first noticed by professor John Locke at Concordia University in the mid-1970s. He also suggested that the shadow on the wall behind Heston and Leigh was, in fact, Welles' own. The director "signed" the shot. Furthermore, the rest of the film is not a rapid montage - a very long take where Quinlan plants dynamite, was done to save on the budget, and there is another flamboyant long take filmed in an actual elevator.
  • @mattabie2785
    I'm so glad you're doing videos like this. But seriously, please rethink all the "cool" references. They don't have the effect you want. They beak the video's train of thought and make you seem desperate, and young people never fall for this. Look up the "how do you do, fellow kids" meme. That's what this feels like.
  • @c10_c10
    One of my all time favorite films! Isn’t this film considered to be the last film noir movie?
  • Thanks! Welles' numerous "oners" were one of my inspirations when storyboarding my series!
  • @T.Rockford-bj3gr
    The comments about Chuck Heston were inappropriate in the beginning. It’s one of his best performances and he brings a powerful dignity to the film. These new critics fail to see that the greats were stars for a reason, no matter what the part.
  • @MrModena
    Complimenti! I really like you video and your analysis of this beautiful shot.
  • @rjmcallister1888
    He made masterpieces, and could have made more, had it not been for his own stubbornness and Hollywood politics. He made "Citizen Kane" at RKO and "Touch of Evil" at Universal, but couldn't get a job in Hollywood for many of the 17 years between them. Orson Welles mastered radio in New York in the 30's and movies in the 40's. A one-of-a-kind.
  • @nhmooytis7058
    I stumbled on this film already in progress on the late night TV movie back in the Seventies, didn’t recognize Welles or Heston! Thought it was brilliant, knew no one who’d ever seen it. Like this and The Third Man more than Citizen Kane!
  • @ryangettig274
    🍁🍂Cool flicks where characters are screening Touch Of Evil?Sneakers-1992,Get Shorty-1993&In Bruges-2007:)🍁🍂
  • @user-zr7zv6sx2y
    As much as I love old movies..somehow I had never seen this until yesterday..I'd heard of it..but never seen.. great..Wells makeup was great.