The Magic Table That Lets You Compose Canons Over A Cantus Firmus (1596)

Published 2024-05-02
For the footnotes and other extra information see the following link:
www.earlymusicsources.com/youtube/bathe

Created by Elam Rotem and Alon Schab, April 2024
Music examples by Leonardo Bartolotto (viols) and Elam Rotem (harpsichord).
Special thanks to Denis Collins, Peter Schubert, Tim Braithwaite, Sean Curtice, Loren Ludwig and Anne Smith.

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All Comments (21)
  • @Hwyadylaw
    Beautiful presentation. (And I cannot stress enough how crucial the dancing skeleton was to aid my understanding)
  • @dorontirosh
    Thank you for this amazing episode. For me, this channel is life-changing.
  • @ArturJD96
    "The way how the table works is quite simple". IT"S NOT ~ the above is the summary of how Early music works.
  • @tobiashaak3568
    I wrote my bachelor thesis in 2010 on possibilities in improvised two-part canons to make a proper cadence at the end of it by using specific phrases through the leader to indicate the end of the canon for the follower.
  • @maximilianraab18
    Thank you Elam for including the score to the opening jingle! I have been trying to learn it by ear for some time, but now I can finally play it!
  • @WilliamFord972
    “…let’s see how it works and how you could also use it to create fancy canons.” [Seamlessly cuts to a commercial playing “I’ll stop the world and melt with you”] 😂
  • @dannuttle9005
    It took this channel, after more than twenty years of watching the show, to make me realize that Professor Farnsworth is the only character whose picture is immediately and automatically associated with a single phrase. I plan to write a guide on this subject that will still be debated four hundred years from now. The lower Farnsworth starts with a befuddled, "What?", the middle Farnsworth responds with either an "Oh you!" or an "I am already in my pyjamas", the upper Farnsworth gives a high-pitched laugh, and then all of them resolve in a perfect authentic "good news, everyone."
  • Fabulous, thank you. I had to learn Palestrina's style from Knud Jeppeson's book during my bachelor's degree. Now I'm inspired tonight to try Bathe's table!
  • @mattcavoto
    Thank you so much for this episode! It would be very interesting to learn more about the change from 6 to 4 syllable solfege in England. And you've inspired me to see about making a derivative chart for placing the cantus firmus above the canon now.
  • @maxjohn6012
    Dear Elam, thank you so much for this. I've been hoping you'd do something about early English music for years, and this was so much more interesting and useful than I imagined! What a fascinating tool, can't wait to try.
  • @lcerante
    Elam, thank you for another masterclass! This episode could be a wonderful segway to Costanzo Festa's 125 counterpoints on La Spagna. I would love to see an episode where you dissect his counterpoints! Please do consider! =)
  • @Saturos02
    Fantastic work and presentation, I'll definitely give this a try!
  • @weloverobospam
    Ahhh! The basket of vegetables that shows up on the table behind Elam.🤣