What They NEVER Told You About LOW END!

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Cool, thanks for using my mix on this video David! I took your advice from the mix feedback you gave and it helped a lot! This pretty much highlights why I need better sub monitoring. None of my playback systems could reproduce that well enough for me to detect it as an issue.

Dave genuinely gives you the good stuff. If you deal with such low hz then this is critical. You can look at it like the Fletcher curve but for energy.

Excellent tips here. All of my mixing is live work, and a lot of the time when people bring along backing tracks for their performances, I need to fix something on the low end...by a lot of the time, I mean almost all the time. In my smallest rig I'm typically using at least two 18" subwoofers, so they have no trouble recreating the low end. When it's uncontrolled, it's simply too much. I love bass that shakes the walls (who doesn't) but it still needs to be controlled.

This video is so timely for me. I decided just this weekend to get serious about fixing my bass lines to satisfaction and spent all night trying to figure out why my bass is either too nasal sounding or hollow or just out of control. I want it to feel like a ball I can pass back and forth in my hands if that makes sense. Powerful but with boundaries and controllable. Thanks for the tips! I will keep this info in mind today as I continue.

Every time you think you can't top the information on this channel you make a video like this. Hat off David

Great video Man.. Im so glad you speak out about all the talk about cutting the master at 30 & 40. Great video. Ya you shook my walls and was killer clean. Crazy.. ya sounds BA

this is so true... big base bottoms = amplified base...rocket scientist not needed ... A&B a reference track in headphones....notice how you can hear the song without your ears closing... when you play your mix if your ears close even a little bit then its too much energy around 30... just lower it until your ears breath.... I agree with this content

Not only that, but i have come across many projects in the past (both mine and from other artists) who boost way too much their low end, thus reducing drastically their dynamic range available for a balanced mix. It's insane how less is more most of the time when speaking about sub bass frequencies. I will say however that your video explains this in such simple yet advanced manners, i always come back to your videos for a little "knowledge refresh" :)

Bought a sub a few years ago. Best purchase you can do for not ideal situations. Feeling the bass is incredible and exciting. I only have my sub set to approximately 1.5 dB. Enough for my situation to complement my 8 inch and enough to mis it when bypassed.

Simple formula: David teaches, I listen. 💯🙌🏻🔥

I always think of it in terms of the fundamental being the absolute, and the harmonics being the relative. The fundamental hits a set level determined by the vibe of the song, and the harmonics just get saturated to the point where they show up in the right places (adding density, being able to determine notes clearly on smaller speakers, appropriate aggressiveness etc) outside of the sub region.

Dude, you are a living Cyberpunk 2077 character. Neato!

Couldn't have said it any better... amazing teaching skills...🖤🖤🖤

What a great video. No one is teaching this but you. Thanks man.

Cutting frequencies at 30Hz can potentially free up headroom in your mix, especially if there's unwanted low-frequency rumble or noise in your audio. Removing unnecessary low-end content can prevent your mix from becoming cluttered and make it easier to control the overall balance. However, it's essential to use EQ judiciously and not overdo it, as excessive cutting in the low end can make your mix sound thin. Always use your ears to judge what frequencies need adjustment, and remember that the impact on headroom is just one aspect of the mix.

Bro I swear u go so indepth with ur videos ur the best and most genuine I'll admit, from u did that video on how to calculate the return delay from outboard gear 🎯

You came on the right time David, i've been sttruggling with how much of low endo to put on a mix and had been working on a error and trial game until get a good result. Thanx for helping me to think!!

No other channel like this one, nobody talk about the things you find here. That simple. Thank you D!

Great video! I was thinking about creating a separate project where I add in the sub after the track is mastered but your explanation makes it clear that the issue isn’t with the imbalance of levels within the daw but the speakers being overloaded in the lows. So even if I did that the sub would still need to be balanced for it to move the speakers properly. Thanks a lot of this one!