Stanislavski acting exercises with The Stanislavski Experience

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Published 2011-04-04
AS level Stanislavski workshop by Nick O'Brien from the Stanislavski Experience author of Stanislavski in Practice.

All Comments (8)
  • @Thriller94
    The best way to explain the "There is never any three" is by comparing it to your mother counting to three as a child.. Out of 10, how many times did she actually get to three? It was always, "Don't MAKE me get to three!" Or "I don't know what I'm gonna do if I get to three". Right? So how does that relate? Well, the actor should never be left guessing, like you were as a child. So, on stage there is never any three. Hope that helped!
  • @CallieNYC
    This is a great video for actors! I've been working on a channel for acting and I love watching acting videos. Keep in touch!
  • Sir I’ve recently done acting course from an acting college. But still could you make some more video for acting o
  • @don77frye
    I think he meant ... you already know what's going to happen before it happens ... because there is a script . You don't laugh at what happens because you expect it already . So you have to do it from the point of an actor ... when you do that .. everything flows nicely without confusion ... because you know the objective already .
  • @JonathanGracey
    I'm so intrigued by the pen example of Stanislavski acting, "On stage there s never a three." What does that mean? The instructor seems to contradict himself when he says, "there is never a three" then "the actor always knows what will happen." If there is never a three (nobody gets a chance to pick up the pen), then how does the actor know what will happen?
  • @nikhilraj2636
    Is there anyone who knows any 6 month fulltime stansilavsi system acting course! Please help me