Voodoo Trickster Gods of Africa and Haiti - Mythillogical Mini

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Published 2023-08-10
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Who's that figure standing at the crossroads? After following Anansi’s journey from Africa to the New World, today’s bonus episode sees Charles and Crofty investigate two other trickster figures who were brought from Africa to the Americas, the gods Eshu and Legba.

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open.spotify.com/episode/6qcA8Lh0OpLHKUMYDtRqBW
podcasts.apple.com/kz/podcast/trickster-gods-of-af…

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Video editing by Byron Lewis:
byronlewis.com/

Sources for today's video included:

Who Is That Fellow in the Many-Colored Cap? Transformations of Eshu in Old
and New World Mythologies by Donald Consentino
www.centroafrobogota.com/attachments/article/24/17…

Anansi, Eshu and Legba. Slave Resistance and the West African Trickster by Dr Emily Zobel Marshall
www.academia.edu/4730679/_2010_Anansi_Eshu_and_Leg…

The Trickster in West Africa: A Study of Mythic Irony and Sacred Delight by Robert D. Pelton
archive.org/details/tricksterinwesta0000pelt

Eshu-Elegba: The Yoruba Trickster God by John Pemberton
exchange.umma.umich.edu/system/local_files/files/0…

Trickster makes the World by Professor Hyde Lewis
archive.org/details/trickstermakesth00hyde

Yorùbá Influences on Haitian Vodou and New Orleans Voodoo by Ina J. Fandrich
journals.sagepub.com/doi/abs/10.1177/0021934705280….

The Haitian Voodoo handbook: Protocols for Riding with the Lwa by Kenaz Filan
www.scribd.com/book/351488048/The-Haitian-Vodou-Ha…

A Meeting with the Devil at the Crossroads: A Contemporary Legend? by Gail de Vos
scholarworks.iu.edu/journals/index.php/cl/article/…

Deep Blues: A Musical and Cultural History of the Mississippi Delta by Robert Palmer
archive.org/details/deepblues00palm

Suonatore di Liuto by Kevin MacLeod
Link: incompetech.filmmusic.io/song/4440-suonatore-di-li…
License: filmmusic.io/standard-licensehttp://incompetech.co…

#Voodoo #African #Mythology

All Comments (21)
  • @deangajraj
    Tracing African Voodoo's journey to the Caribbean draws attention to the timelessness of cultural change. In its transit from Legba of West Africa - a god combining both ruin and revival - to Papa Legba of Haiti, who acts as an intermediary between the physical and metaphysical worlds, this narrative elucidates Heraclitus' proclamation that "custom is king of all." The shift in Legba’s symbolism – from an impish being to a venerated elder – mirrors Heraclitus' words, “Everything changes and nothing stands still.” It also reflects humanity's fear of things unknown. However, despite these transformations, there remains an enduring feature: the plea to Papa Legba to "open the gate," emphasizing man's enduring hope for access to the divine, no matter their locale or era.
  • @choptop81
    I heard a version of that Eshu story as a kid but without the context or the name Eshu. It was used as a way of demonstrating that people can have an incomplete perspective on something but still completely believe their viewpoint
  • @fmac6441
    Eshu, or Exu as we wrote, is also a deity of candomblé and umbanda, two afro-brazilian religions.
  • @IvorMektin1701
    I had to listen to John Forgerty "The Old Man is Down the Road" after that opening
  • Listening to the intro and I’m chuckling about the Tololoshi from Southern Africa.. he’s very NSFW Southern African countries have loads of very interesting characters.. the Nyami Nyami god also is very cool!
  • @dispresszine
    there's another story where a man asks a mae/pai de santos (like a priest) how he can get a wife and he says to him to leave an offering of meat to the Exu on the crossroads. when he is in the market holding a knife to cut the meat, Exu (in disguise) bumps into him making him cut the chiefs daughter with the knife. but when this is noticed, Exu says, 'look you've hurt her, now to make up for this you must nurse her to health.' This leads to them falling in love while he is caring for her and they get married.
  • @j-henry7391
    I used to spend time with a santarista family and they decided that I had a connection with Ogun, I would give him offerings, but I always had to bring some M&Ms for Elegua, because he might get jealous if I didn't give something to him too, and might try to trip me going down the stairs or something of the like
  • @nerdwisdomyo9563
    That was the most laid-back video I’ve ever seen, 10/10
  • @dispresszine
    Im so happy you made a video about the Orisha, Laroyê Exú, much Axé 🙏
  • I wanted to delve a bit into Vodun lore, and this video did well to finally organize some info in my head and give me some further reading. Fitting, considering Legba's domain as an intermediary
  • @Jareers-ef8hp
    Histocrat, you are one of the best history channels on YouTube, you are a breath of fresh air from the generic boring history from other channels. I am begging you to make a series on Japan 🇯🇵, not like you podcast on the Yokai, but an actual planned and edited video on on Japan 🇯🇵 like your other videos. Thank you so much sir.
  • @bojaiden5175
    Esu, the entity also called Latopa While the victim sheds salty tears, Esu the onlooker sheds blood
  • @ShreyanshShei
    Excellent video! How you make videos and do research for videos ? Please share with us
  • @mikewifak
    Crofty’s music obsession is sounding pretty autobiographical. I live on the Mississippi gulf coast and was pretty unaware of a lot of this info. Cheers!