"Cruel Summer" & Bananarama: How the New Wave Ronettes Dominated The 80s I New British Canon

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Publicado 2023-06-23
As a sub-genre, girl groups have gifted us with so many moments of pop perfection. For the most part these were groups assembled by a producer for the purpose of creating chart hits with little musical input from the performers. But formed in 1981, Bananarama were different.

Spurred on by the DIY ethos of punk and the out-there fashion of the New Romantics, they hit the scene in Doc Martens, dungarees and bird-nest hair, self-possessed and spewing hits. A bevy of early covers would make way for some of the finest British pop of the 1980s - their calling card a scorching dog day confection infused with shambolic dance moves and the mother of all marimba lines. This is New British Canon and this is the Story of “Cruel Summer.”

#bananarama #80spop #musicdocumentary

Fact-checking by Chad Van Wagner.

Thanks also to Bananarama Fan Club and London Records for having archived a lot of this footage

00:00 Introduction
01:20 Keren Woodward, Sarah Dallin & Siobhan Fahey
04:45 The Early Singles of Bananarama
11:54 "Cruel Summer" & Being Taken Seriously
20:05 Stock Aitken Waterman, "Venus" & Their Legacy

Bibliography
Really Saying Something: Sara & Keren - Our Bananarama Story by Sara Dallin & Keren Woodward, 2020, Hutchinson London
Sweet Dreams: The Story of the New Romantics by Dylan Jones, 2020, Faber
Young Guns Go For It: Bananarama (1999) dir. Kate Meynell
Smash! - The Bananarama Story (2002) dir. Roz Edwards
"Fun Boy Three & Bananarama" by Ian Birch, Smash Hits, Jan 1982
"Meet Bananarama — Three Fun Girls With A-Peel" by Toby Goldstein, Creem, Dec 1982
"Bananarama: Q&A" by Neil Tennant, Smash Hits, Jun 1983
"Bananarama: We All Broke Down And Cried" by Ian Birch, Smash Hits, Mar 1984
"Bananarama: Mean Streaks and True Confessions" by Susan Williams, NME, Apr 1984
"A few home truths about Bananarama" by Chris Heath, Smash Hits, Aug 1985
"Bananarama: These Charming Girls" by Iman Lababedi, Creem, Dec 1986
"Who the hell do BANANARAMA think they are?" by Tom Hibbert, Q Magazine, Sep 1988
"Bananarama: Girls Together Outrageously" by Caroline Sullivan, Melody Maker, Jul 1990
"Bananarama: Sisters Undie The Skin" by Betty Page, NME, May 1991
"The Producers" by Richard Buskin, Recording Musician, Apr 1993
"What makes a great summer pop hit?" by Jude Rogers, The Guardian, Jul 2009
"'We're like teenagers again': Bananarama peel back the years" by Liz Jones, Daily Mail, Aug 2009
"Interview With Tony Swain" by Jez Wells, Journal on the Art of Record Production, Apr 2015
"‘People wet their knickers when they find out I was in Bananarama’: the 80s trio return" by Rebecca Nicholson, The Guardian, Apr 2017
"'Did you enjoy being pregnant?' - Bananarama revisit old Smash Hits questions" by Mark Savage, BBC, Apr 2017
"We Heard A Rumour… – Bananarama Interview" by uncredited, Classic Pop, Aug 2017
"Bananarama: how we made Robert De Niro's Waiting" by Jack Watkins, The Guardian, Nov 2017
"‘She can’t wear heels, she’ll be taller than me’: why I left my girl band" by Malcolm Mackenzie, The Guardian, Jan 2019
"The Number Ones: Bananarama’s “Venus”" by Tom Breihan, Stereogum, Jan 2021
"Album By Album: Bananarama" by Mark Lindores, Classic Pop, Mar 2022
"Bananarama look back: ‘The dresses were fitted with chicken wire – and totally extraordinary’" by Harriet Gibsone, The Guardian, Jul 2022
"Bananarama on gay bars, LGBTQ+ fans and the 80s: ‘Cher booted us off stage’" by Patrick Kelleher, PinkNews, Jul 2022

Soundtrack
Luar - Citrine (soundcloud.com/luarbeats)
Jesse Gallagher - The Golden Present
Luar - Into (soundcloud.com/luarbeats)
Luar - Anchor (soundcloud.com/luarbeats)

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Todos los comentarios (21)
  • The great thing about Trash Theory is that, even if you don't care about the band... as long as you appreciate the Genre, you're going to learn info about everything in that genre that lead up to the band that broke through... and probably what came after.
  • Mention was made of Bananarama being taken seriously. Actually, the reason I like them is because they DON'T seem to take themselves too seriously! They portray themselves as just regular girls having a bit of fun. I particularly like the way they know their own minds and stand up for what they want.
  • Jennifer Saunders described them as the hardest drinking girls she’d ever met and were something of an influence on Eddie and Patsy’s character, but we’re never quite able to match their ability😁
  • @grizcuz
    They always reminded me of the cool girls I was at school with at the time. Not the girls who thought they were cool and tried too hard, the girls who didn't give AF, but were also nice to hang around with and had a laugh but were always popular with just about everyone. I don't know why Karen thought she looked terrible in the Band Aid, I thought she looked fantastic.
  • @Z3R0FiR3
    I always loved Bananarama's covers of "Na Na Hey Hey (Kiss Him Goodbye)" & "Venus" and their song "Cruel Summer" ... Also Shakespear's Sister is soooooo underrated here in the states. I love "Stay" but also their song "Hello (Turn the Radio On)"
  • @haret0n
    was so influenced by their fashion in the 1980's. them and sade. two entirely different looks. but both equally powerful.
  • @Bodyknowledge77
    "Cruel Summer" holds a special place in my mind and heart because of its hooks and its association with the Karate Kid flick which I saw in the cinema as a kid. The 80's had that special something.
  • @brianwilson49
    Fair play - I just had them down as a bunch of pop chancers but you make a compelling case for them to be taken a little more seriously in the pantheon of british pop.
  • @monroeboy80
    For three girls who had no musical background, training, etc...they sure made the most of what they had. What set them apart from other "girl groups" was their singing style. The vocals were a unison harmony(i cant think of any other group that had that unique unison vocal style). No lead singer. They surpassed Fun Boy Three and The Professionals in success who helped them start in the biz. They are still releasing albums today where other girl groups have long called it a day! The clip on Pete Waterman commenting that they "didn't want any of that Stock Aitken Waterman on their record" was the girls telling them we dont want you moulding us to sound like everyone else you have produced(the kylie's, the Jason's, the Rick Astley's). Strangest thing is that I loved the whole WOW album period of their career.
  • @DiegoMartinezDP
    The BRITs performance of “Love In The First Degree” is still a very iconic one.
  • @sonofjak1971
    As a DJ in the early 90's i came across a 12" record of only your love which had an absolute killer piano mix on it which i used at the high point of my sets for the whole of summer 1990. What a belter and what a pioneering band they were too.
  • Loved Cruel Summer when I was a kid and I still do now. They really made some classics.
  • It's impressive how they're still performing and make new songs at the present.
  • @dontellahfonne
    Thank you for this video and for pointing out the influence Bananarama had on the Spice Girls, Madonna and Girls Aloud! The impact Bananarama had on pop music is so often overlooked and they are not acknowledged enough for what they achieved.
  • @Ursabomb
    i smiled all the way through this video. Brought back such fond memories of them and their music growing up in Australia. Cruel Summer, Robert DeNiro and Shy Boy were my introduction to the Bananies and they have never left my music collection. I still play their tracks to this day and i'm 53
  • @goatthulu6662
    You think you know everything about a band and your man connects them to an Arch Enemy track from 12 years ago. Absolute legend of a channel. Cheers.
  • Cruel Summer just feels epic...at the end of it you feel like you watched a 3 hour movie, not listened to a 3 minute song.....
  • @swymaj02
    They're deffo still iconic in the UK, where I am. Love their ethos of knowing what they want before going to the studio. No one takes the Mickey.
  • @johndiaz4574
    I remember hearing the song Venus as a kid growing up in New York and it still brings back memories 😊
  • @alecbrown66
    The greatest thing about banarama is that they are all very determined, highly intelligent, strong women who would stand toe to toe against any record exec or rep. They had their own direction, made their own choices, even if it didn't make sense to outsiders. Which is why they stood out to begin with and continue to do so now. In a way their attitudes towards life, work, and everything lead the foundations for gen z women today, and you can't do much better than that out of a music career