Iterative Drawing - The Fastest Way to Improve

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Published 2016-01-06
Hey everyone, this is a video about a method to drawing I've termed "iterative drawing" because it requires you to improve through many iterations of a drawing to gain mileage quickly. I know people who use this, but so far I don't know anyone who has actually taught it as a method to improve. Seems to be something 'talented' artists do anyway but don't really teach or explain. If you're new to this concept, I hope it helps you.

Tools:
Adobe Photoshop CS6
Wacom Cintiq 22HD
Open Broadcaster Software
Audacity

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All Comments (21)
  • @delve_
    "When you go to art school, you'll find everybody sitting around [practicing] their signature. Don't try to develop a style. Ignore style. Just concentrate on drawing and style will occur." — The Animator's Survival Kit, page 29, author Richard Williams' mother.
  • You know, there are courses that teach this exact same thing for $80-100. I really appreciate you, man.
  • @blenderguru
    Phenomenal approach to learning. You’re absolutely right: analysing the same drawing with multiple variations forces you to see what works and why. But drawing different subjects without analysis means ‘good’ work is usually accidental and harder to repeat.
  • @eskyhi
    Another tip when using this method: do ur exercises in pen. i have a bad habit of spending too long on stuff to try and get it 'perfect' but by doing it in pen it forces u to analyze ur mistakes and move on to the next thing to try again and thus increase drawing mileage
  • 20 faces, 20 poses, 20 color practices, 20 compositions. Every day, for 3 years.
  • @iwolfman37
    To anyone who wants to do anything in life: "The difference between the novice and the master is that the master has failed more times than the novice has tried." - Korosensei
  • @uggooga1437
    16:57 ‘A full frontal—ah... uhh, no, uhhhhhh...’ ‘There are no accidents’— Master Ooguway
  • @JS-DeepStar
    I spent sixty thousand on Design school and became a creative director and then owned a visual design company.....I love what you are teaching here and everything is spot on. Thanks for what you do, I hope you save some of the young souls of today from some of the financial burden of Art and Design College.
  • @maxis2k
    I have been trying to draw for 15 years. But all I kept doing in that time was trying to copy finished works others had done. I always got stuck on trying to replicate the details and could never break them down to simple shapes and forms. And worse, when copying something, I never felt like I learned anything. It just felt like a fruitless exercise. I watched this video few years ago, not really understanding how to implement it. I got what Sycra was trying to say, but I couldn't drop my fears and pride enough to actually follow the advice. I thought that using a source would be faster than just blindly trying to draw stuff on my own. And I definitely was too scared to try and draw stuff from memory before attempting to look at a source. I mean, who can draw something without looking at it first? THAT must be the phantom talent everyone talks about. So I just kept going back to copying stuff. Just this last week, when I was trying for the umpteenth time to copy a drawing, it never came out the way I wanted it to. I could see every little mistake I was making, but had no basis of understanding how to correct the mistakes. And as a result, every new drawing I did ended up worse than the one before. And I got frustrated more than I ever had. I hit my breaking point and, as if the years of failure were all piled up at once, I vowed to give up on drawing. But in my blind anger, I also had a small revelation. "If I can't copy the source correctly, then to hell with the source!" Out of simple spite, I decided to draw one last thing. I set myself to purposefully draw the source incorrectly. I made the hips too fat, drew the chin off center, tried to make the arms like noodles, put the mouth too far up, made one leg longer than the other, etc. I wanted to vent all my frustration on this one drawing, since I had gotten myself into a mental state where I assumed anything I did would look bad anyway. But I was shocked to find that the figure I purposefully drew wrong looked better than all the copies I had attempted. I thought it was a fluke so I drew a couple more. And again, these strange variations on the source I doodled in about 1 minute ended up looking better than the meticulous, time consuming copies that took me 15 minutes a piece. And more importantly, I had actual fun drawing them, unlike the copying which felt like work. Soul crushing, annoying work that made me dread drawing. So I experimented further and tried drawing random body shapes and faces without a source. And again, the results were surprising. I was drawing better stuff without looking at a source than I ever did when trying to copy a finished piece of art. Somehow in all those years of painfully trying to copy, I had learned some of the basics of anatomy and perspective. But I never felt like I had because I was only using those skills to try and copy a completed image. In effect, I was discouraging myself because my rough sketches didn't look exactly like a fully inked and colored final image. During all this realization, I remembered this video and rewatched it. And suddenly everything clicked. I tried Sycra's suggestion of drawing 20 heads and it worked. After about 10 heads, I found new tricks which drastically improved the placement of eyes and mouth. And after all 20, I had already gotten to a point that I could replicate it in just a few seconds without much effort. And I didn't even look at a source to create the head. I just kept refining the first basic head I came up with. I don't know if someone new to drawing can start right away with this or if you need the years of copying to build the mental library/muscle memory to get to this point. But all I can say is, in my experience, it finally started working. After I dropped my stubbornness and accepted it. And I thank Sycra for expanding on this process. Now I'm going to keep trying this process with all the parts of the body and hopefully move onto landscapes after that.
  • @Sercotani
    16:13 "A thousand (heads) isn't a lot" Oh yes indeed, that's definitely what a certain infamous 13th century Khan would love to hear..
  • @ElementTrinity
    I'm 23 and I'm just starting to try and improve my drawing - it's really intimidating when so many people my age and younger have incredible skill already, but I'm trying to have high hopes! Thanks for the amazing advice!<3
  • @lilmao4482
    As a student with ADHD and both intuitive/analytical sides of thinking, I've watched countless tutorials on drawing but have never been able to replicate their methods. I almost quit art because I thought there was just something wrong with me; after you explained it, I'm finally able to actually get better at drawing after 6 years. I'm not sure if you know it, but we (people with ADHD) are so thankful for your videos
  • @jboquiren1
    This is the essence of deliberate practice. Practice and drill. Practice and drill. Practice and drill. Pause occasionally to look at your work with discernment. Don't worry about getting it 'right'. Look for one or two ways to improve. Embrace failure as your teacher. Fail differently next time. Stay in touch with your feelings. When you feel bored take it to the next level. It takes hard effort and persistence to re-wire your brain.
  • @Pizzarules
    Also a fav piece of advice I got from an art teacher was this: never stop thinking when you’re drawing or painting. “Stay focused on what youre doing or you’ll revert to what you always do and that doesn’t work. “. I swear it’s the best advice
  • @JohnHill
    dude, this is perfect, hit me in the best ways.
  • @decalcomanie123
    I love how I changed from completely creative into completely analytical over the past years and I'm not sure why. When I was like 10 years old I loved drawing vehicles, tanks and robots, mostly under the influence of video games I played at the time including Starcraft and Red Alert. I drew thousands of them, some generic, some unique, and some outlandish. I kinda just imagine something and immediately make an attempt, like "I'm gonna draw a tank that has a satellite for cannon" and if it doesn't end up looking like what I imagined I'll just call it something else based on what it does look like. 15 years later, now I'm somehow overthinking basically everything almost like OCD. I'm unable to proceed with something I feel proportionally incorrect or even unrealistic. If I were to draw a satellite cannon tank again, I'd have to look up what a tank looks like, what a satellite looks like, do a research on which of the components are necessary for it to function, make sure I draw those parts, etc.
  • @Eggylyte
    "If you have just icing, well uh wait that's actually not that bad" Oh, Sycra is truly one relatable person.
  • @smolder6366
    I fear not the man who has practiced a 1000 kicks 1 time, I fear the man who has practiced 1 kick a 1000 times - Bruce Lee
  • @Jackjonist
    This technique of learning has an actual name. It's called "deliberate practice". This technique can apply almost anywhere :)
  • @olivias364
    i have adhd. it is Extremely difficult for me to sit down and simply watch a video. but i had to pause what i was doing to devote myself fully to this video because your explanations are so good and i wanted to pay attention. im typing while the video is still playing (sorry, cant keep up that long) but still. this really captivated me. thank you. looking forward to trying this.