Corelli, Caballé - Io vengo a domandar & Final duet (1972)

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Published 2021-03-28
Verdi - Don Carlo
Conductor Francesco Molinari-Pradelli - 1972
Orchestra - Metropolitan Opera
Chorus - Metropolitan Opera
Don Carlo - Franco Corelli
Elisabetta di Valois - Montserrat Caballé
Filippo II - Cesare Siepi

0:00 Act I: Io vengo a domandar
3:48 Act I: Perduto ben, mio sol tesor
6:40 Act I: Sotto il mio piè si dischiuda la terra

8:24 Act IV: È dessa
11:25 Act IV: Ma lassù ci vedremo
15:10 Act IV: Sì, per sempre!

All Comments (21)
  • @hermajesty52
    ARE there any singers like his now? So individual of timbre and beauty of raw voice. I was born 50 years too late 🙂 That last note from Monsti...................... I still haven't come down. RIP you beautiful singers.
  • Duo sublime. Intramontabile. Applausi a scena aperta. Cosa si può pretendere di più?
  • @renepaccard7914
    Bonjour merci a vous pour cette superbe vidéo deux voix disparues hélas qui manquent beaucoup de nos jours bravo aux immortels étoiles qui brillent a jamais merci vraiment a vous
  • @renepaccard7914
    Bonjour un clin d'oeil particulier a notre superbe ténor incomparable le meilleur pour moi bien sûr merci
  • @10.6.12.
    Both sublime and catisclismic ... this was the last live broadcast of the Bing era !!!!!!!
  • @ic.73
    That final note lasted forever!
  • The problem: Don Carlos as a character is no hero - but Corelli sings it so
  • Uguale-uguale al “don Carlo” dell’altra sera alla Scala… 😂😂
  • @jenylogan1
    Love Corelli but he is not exactly subtle, which is a shame as Caballe is the essence of subtlety.
  • @petergraham8681
    A fine scene with Corelli in abundantly indulgent form at its climax. The second & final duet though seems to contain some undisguised subtext due to what occurred off stage shortly before at least on Caballe‘s part. Corelli apparently bumped into her accidentally & rather forcefully back stage while not being aware of it perhaps & subsequently gave no apology. Caballe was furious, apparently, & she let go her frustration on Elisabetta‘s last note at the end of the opera which is one for the record books. If that backstage accident really motivated her elongated note is apocryphal I am not sure but I did hear about it from several sources.