Why the Jazz Bass CRUSHES everything

You two knuckleheads are such a gift and joy to the bass community. Young bass players don’t realize how accessible learning is compared to when we learned by picking up and down the record player needle every stinking measure. Praying for your continued success for all our sakes.

Who knew an Englishman and an American could be bass twins!? Ian has been a massive shot in the arm of Scott’s bass lessons.

I started as a jazz bass player. I love the neck and look of a jazz bass. But I've come to realize over the years that I just prefer the sound of a P bass. It just sounds like a bass "should" sound in my head. And it works perfectly in any recording. So now I just end up with P basses with thinner necks.

The chemistry/interaction between the two you you really makes these videos. Thank you

No mention of john paul jones from 1968-76? Criminal! He made full tonal use of the jazz bass throughout the first zep album to presence. The lemon song demonstrates how much p bass tone you can get from the jazz. Great video though! Love my jazz bass!

Thanks for including Meshell she deserves way more recognition as the sublime bassplayer she is (and composer, lyricist, singer, innovator etc.). Joe Osborn is yet another great example of Jazz Bass versatility played with a pick and eternally old flats. Great and very educational vid thanks for the raggae tip.

The Reggae thing has to do with how the electronics interact. When you turn down the volume you raise the pickup's resistance, which leads to less treble. That's why a lot of guitarists install a "treble-bleed (high pass)" circuit, which keeps the treble no matter what volume you have. Fender has a good explanation on their website.

You both are great together. Please do more vids. I started playing bass at 9 years old. I stopped playing when I moved to Florida 30 years ago and watching you both, who I believe are totally right on with your analysis, is giving me the itch again at 68.I have a 69 Fender Jazz bass and a reissue 62.

Bobby Vega is a friend of a bass player friend of mine, so I’ve met him a few times and even played his bass! Super nice guy and just amazing bass player.

Played a gig just last night using my Jazz the whole night. I'm super fond of the neck pickup with the tone all the way up. If I could only have one bass, it would be a jazz.

I just sent this video to my son, he was kind of crapped out about the jazz bass and I just made his day… I wanted to thank you for your great playing and sharing and the audio quality sounds great and thank you for having your Shiot together…

The volume rollback works on Scott's bass because it's just an ordinary passive bass with an active EQ that follows the passive pickups with passive volume controls. Scott's "Active bass" isn't really any different than if Scott plugged a passive bass into a two band EQ pedal. The volume rolloff wouldn't work the same with EMG active pickups where the "active" is before the volume control.

Thank you both, so much. I picked up bass again and I've just never been good at tone shaping. Watching you go through all the knob settings and being able to really hear the differences combined with both the musical AND historical explanations...just fantastic. Thank you, thank you.

This is a great video guys! You should do more like this one; your joy in playing together was infectious to watch and your skills are inspiring. Thanks for sharing!!

I love watching and learning from Scott and Ian. Truly, twin brothers of different Mothers!

finally we talk about Me'shell Ndegeocello ! Good job guys love this video. It's you talk about all the bass player and even tracks that made me fall in love with the Jazz Bass and i got a nice one from 1978 !

That is a very good tip about rolling the neck volume back a bit for reggae tones. What’s happening is the resistance at the pot is causing a low pass filter effect, similar to the tone knob but at a different frequency. To avoid this happening, some guitars have a treble bleed circuit which uses a cap across the pot terminals so the highs can take an easier route via the cap rather than through the pot, keeping your highs as you turn down. This effect will happen with any bass with passive pickups and passive volume controls, even if there’s an active circuit later in the signal chain.

You guys are CRUSHING IT with these videos! Love the jazz bass tips.

You guys are SUCH AN AMAZING MATCH...!!! I still can't get over it!!!

I own a 73 jazz sunburst. All original including the case it came in. My dad got it in the 70s and was passed down to me. Love that bass!